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In my work "Attraction", I explore the invisible tension that exists between human beings, that magnetism that subtly and inevitably pulls us together. The arrangement of the chairs in this piece is key: they are neither aligned nor completely facing each other, but placed at angles that suggest movement, as if they are in the process of approaching one another without ever touching. Each chair seems to float in its own space, but the void between them is charged with a palpable energy.
Light plays a crucial role in this work. I use soft, controlled lighting, with long shadows extending from the chairs towards the center of the composition, symbolizing that invisible but undeniable attraction. The colors, dominated by soft grays with touches of warm light, reinforce the atmosphere of expectation and desire. Each chair is bathed in light that highlights it individually, yet also suggests a connection with the others, creating a visual dialogue between distance and closeness.
The empty space is as important as the chairs themselves, representing what has not yet happened but feels imminent. It is in that void where attraction truly occurs, in that tension between what is about to happen but still remains in suspense. The work is minimalist, because attraction, in its essence, does not need to be explicit or direct; it is something that is felt beyond words or gestures.
In an art exhibition, "Attraction" invites the viewer not only to observe but to feel that subtle energy. Standing before the piece, one experiences that moment before the encounter, that pause before the approach.
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