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This artwork explores the idea of predation on a psychological and abstract level, rather than through literal animal metaphors. Figures dissolve, merge, and exist on an uncertain boundary, caught in an invisible flow of power dynamics.
The dominant upper figure looms with an unreadable gaze, while the chaotic, fragmented bodies below embody uncertainty, submission, or the struggle for survival.
This painting reflects a world where predators are not always beasts, and herbivores are not always victims. Power, manipulation, and the instinct to endure become fundamental aspects of human consciousness and social structures.
Born on November 16, 1995, in Tbilisi, Georgia, GELA MIKAVA is an artist with a unique multidisciplinary approach, blending architectural precision with artistic innovation. With a foundation rooted in both bachelor’s and master’s degrees in architecture from the prestigious Technical University, MIKAVA’s work reflects a seamless fusion of architectural principles and artistic freedom.
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Georgia
