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Estudio monocolor en siena y suaves toques de carboncillo sobre papel MY Tintes.
...y no es un bodegón. Aprendí de Andrew Loomis que el pintor prescinde de la línea de contorno porque puede definirlo contrastando con otras masas o destacar el relieve de la forma por el uso de valores, y en eso estamos.
Bona Emilio Paredes. Barcelona in October 1940, at a young age I felt a great attraction for the drawings of humor comics, comics were then called. A great admirer of the missing characters Bruguera and TBO, Louie and others did various courses on a high note but had no never professionally. I conducted several studies of drawing "seriously" in AFHA, CEAC, books, etc. It was not until the 90's that I studied in academia, with the Barcelona artist Carmen Marcos's first guided me in life...
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