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Tras dos meses obsesionado con un autorretrato de Lucian Freud, salió este cuadro.
The painting has always been the language of things in the rough, due to its ability to move the wall, canvas, paper or tactile sensations of nature, objects, skin, textures, lights, even a feeling with which we are observed by that fact, discriminatory compensating our retinas, the modern tyranny of the image, see this disease in which the identity of clothing apparently lies between meanings that our brains automatically sorted, forced to...
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