No tienen que ganarse la vida, ellas son mantenidas por sus maridos...

THE COUP. Nunez Christian text. The visual work of Bertha Gio (Merida, Mexico, 1989) is not conversational combat with the spectator is challenged, he pressed his face against the floor, he responds aggressively. Such violence is a reaction to frozen hostility against women dating back to the culture of machismo in Merida still dominant, of course! What is the woman, \"says the public, and question and discover, below, an attempt to reify, a load of cynical rejection of misogyny. Practice for...

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