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TRAS UNOS SEGUNDOS DE UN LENTO Y REPETITIVO MONOCORDE SONIDO DEL "NTENGA" ENTALLADO EN LA ESCALA DE "LA" HACE SU APARICION ENVUELTA EN UN FINO Y DELICADO "MELEO" LA BELLA BAILARINA "SHELZZA" CLARO PRELUDIO DEL "SABIH" QUE VA A REPRESENTAR.
SIN MAS DILACION EL "NTENGA COMIENZA A EXPANDIR EL SONIDO PERCUTIDO DE SUS DOS MEMBRANAS EN TONALIDADES, CLAVES E INTERVALOS CON LA "CHIRIMIA", EL TAMBOR ENTALLADO Y LA "MARIMBA" EN SIMULTANEAS COMBINACIONES BINARIAS Y TERCIARIAS UNIDO TODO ELLO CON MOVIMIENTOS DE PIES, DEDOS, LABIOS Y PALMA DE LAS MANOS MARCANDO EL RITMO Y COMPAS QUE "SHELZZA" HA INICIADO ENTRE GIROS Y MEZCLAS DE SUAVES Y FLUIDOS MOVIMIENTOS CON DEDOS Y MANOS CONTRAPUESTOS ARMONIOSAMENTE CON CADERAS Y BRAZOS EN TANTO QUE EL FRENETICO SONIDO VA IMPREGNANDO EL AMBIENTE CON SU MULTIPLICIDAD DE NOTAS, LA BAILARINA ENROLLANDO Y DESEROLLANDO EL VELO ENTRE LARGAS, CORTAS Y VARIADAS FINTAS, BALANCEA BRAZOS Y PIES QUEDANDO EL VELO SUJETO SOBRE HOMBROS Y BRAZOS, A LA VEZ QUE AJUSTANDOLO VA MOSTRANDO LENTA Y PARCIALMENTE SU CUERPO, CONCLUYENDO PROGRESIVAMENTE EL LANZAMIENTO Y RECOJIMIENTO DE LA "MELAYA" CON UN SECO GOLPE DE TAMBOR ENTALLADO, SILENCIANDO ASI AL "NTENGA", LA "CHIRIMIA" Y LA "MARIMBA", A CONTINUACION BAILARINA Y MUSICOS EN UN INTEMPORAL ESPACIO MAGICO BAÑADO DE LUZ Y COLOR SE FELICITAN VISUALMENTE SIENDO TODOS RECONOCIDOS CON CALUROSOS APLAUSOS POR EL PUBLICO ASISTENTE.-
AFTER A FEW SECONDS OF A SLOW AND SOUND REPETITIVE monotone "Ntenga" SCALE woodcut in "LA" MAKES HIS APPEARANCE WRAPPED IN A FINE AND DELICATE "MELEO" LA BELLA BALLERINA "SHELZZA" PRELUDE OF LIGHT "Sahib" GOING TO REPRESENT .
Without further ado THE "Ntenga SOUND BEGINS TO EXPAND ITS TWO hammered MEMBRANES IN COLOR, WITH KEYS AND RANGES" Chirimía "Fitted DRUM AND" MARIMBA "IN SIMULTANEOUS COMBINATIONS binary and tertiary KINGDOM ALL WITH MOVING FEET fingers, lips and palms set the pace and compass "SHELZZA" HAS BEGUN BETWEEN TURNS AND A BLEND OF MILD AND FLUID MOTION WITH FINGERS AND HANDS contrasting harmoniously with HIPS AND ARMS WHILE THE SOUND VA Frantic YOUR fill the atmosphere MULTIPLICITY OF LETTERS, THE DANCER AND SCROLLING DESEROLLANDO BETWEEN THE VEIL LONG, SHORT, various feints, BALANCING ARMS AND FEET LEAVING THE VEIL ON SHOULDERS AND ARMS SUBJECT, WHILE SHOWING Fitting It VA SLOW AND BODY PART, AND CONCLUDING gRADUALLY RELEASE RECOJIMIENTO OF "Melaya" BLOW DRY WITH A DRUM waisted, silencing ASI AL "Ntenga" LA "Chirimía" AND "MARIMBA" DANCERS AND MUSICIANS BELOW IN A SPACE TIMELESS MAGIC OF LIGHT AND COLOR PLATED IS BEING VISUALLY CONGRATULATE ALL RECOGNISED with warm applause by the audience. -
Dear Enrique Moya
Linares (Jaén) 1940
In 1957 he received lessons in drawing and painting Eduardo Navarro only a few months due to his advanced age. Gil Castro then, drawing and printmaking teacher responsible for the preparation of future artists to joining the Mint in Madrid, where I studied 2 years.
Years later I got the title of commercial artist and graphic design. alternating with creativity and visualization classes in the arts by the International...
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