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Acrílico de estilo expresionista donde no hay intenciones determinadas, ni gusto por el color elaborado, ni sus mezclas; no hay interés por la forma proporcionada, y sí por el rasgo rudo, brutal, a veces tierno, porque lo importante son los ojos que miran, y sus direcciones, el nexo de esos seres, sus balanceos, las líneas que los unen, interesa el cosmos de dentro saliendo hacia fuera como un rayo de actitud, y deseo, que forman ondas…De eso es lo que trata esta obra sin estilo, imperfecta, solo son “Dos o tres seres”; ¿raros?..
Acrylic expressionist style where there is no specific intent or developed taste for color, or mixtures thereof; no interest in a proportionate manner, and another by the distinctive rough, brutal, sometimes tender, because the important thing are the eyes that look , and their addresses, the nexus of these creatures, their swings, the lines connecting them, are interested in the cosmos coming out like a ray of attitude, and desire, which are waves ... That is what this work without style, imperfect, just as "Two or three people" rare "? ..
Acryl expressionistischen Stil, in dem es keine spezifischen Vorsatz oder entwickelten Sinn für Farbe, oder deren Mischungen; kein Interesse an einer angemessenen Art und Weise, und ein anderer von der Unterscheidungskraft rau, brutal, manchmal leicht, denn das Wichtigste sind die Augen, die aussehen um, ihre Adressen, die Verknüpfung dieser Kreaturen ihren Schaukeln, sind die Verbindungswege zwischen ihnen, in den Kosmos kommen wie ein Strahl der Einstellung interessiert sind, und der Wunsch, die Wellen sind ... Das ist das, was diese Arbeit ohne Stil, unvollkommen, wie "Zwei oder drei Leute" selten "? ..
M and like the essence of creativity, and throughout my life I felt under the influence of family, friends and professionals. My personal history has been surrounded by creative acts. I am therefore also a creative person, not an artist to use. I have always supported me in my profession as a psychologist, which led me to a reflection on the human being inside, and their behavior and actions. In this context is the work I present here. I must say that for me...
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