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Tinta negra, caña bambú y aguada sobre papel salmón. Pueblos de la vieja España, piedras prisioneras castigadas secularmente a contemplar el ir y venir de siegas propias y ajenas de trigos, esperanzas y sudores. Querencia de unos pocos, al estilo más castizo de Berlanga a la espera del regreso. Un paisaje no apto para gañanes con los dedos pulgares gastados en la play.
Bona Emilio Paredes. Barcelona in October 1940, at a young age I felt a great attraction for the drawings of humor comics, comics were then called. A great admirer of the missing characters Bruguera and TBO, Louie and others did various courses on a high note but had no never professionally. I conducted several studies of drawing "seriously" in AFHA, CEAC, books, etc. It was not until the 90's that I studied in academia, with the Barcelona artist Carmen Marcos's first guided me in life...
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