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NUESTROS PUPITRES YA NO EXISTEN, SOLO UNOS POCOS QUE LO HEMOS GUARDADO PARA LOS DORMITORIOS DE NUESTROS HIJOS
Re Leiva assumption floor artist penetrating gaze, the observer of his world and his works can bring us back to childhood, to the naivete and innocence with which we live the sixties. His work takes us through the small worlds of Campiña, takes us to levels of our recent history that are inserted into them. Fleeting moments that will remain consistent pictures of what not long ago, we live.
He makes the children of women in Montilla and moments transmitted as frames full of...
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