Andrea Pardini was born in Lastra a Signa (Fi) in 1949. From his father a painter learns the rudiments of drawing and painting. The passion for Liart him, still a teenager, to attend assiduously galleries and studios of artists working alii early as 60 Mario Marcucci, the latest "must geri" Viareggio (the group formed by Lorenzo Viani, which met at the cafe ~ Tonicello Viareggio) and, above all, the painter Eugene Pardini, his distant relative who introduced him to the secrets of fresco painting of which he was an acknowledged master. He attended the Art School of Carrara. In 1966 he met the painter Franco scraper, the Sienese master! Affrasco to and became student. In 1969 he enrolled in high Accademia di Belle Arti in Florence and follows 1i teaching Antonio Berti. They studied the technique of marble and began attending the Art Foundry Tommasi where he could meet and learn from great artists of the time that it did not interest him particularly riferimento.In Tommasi Ferroni painting for which he became, for a time assistant. Environment there ~ ~ clarion of great international personalities. Knows and frequents. Henry Moore, Marino Marini, Jacques Lipchitz, Lorenzo Guerrero, Arnaldo Pomodoro and Down, Peter and Andrea Cascella, Alicia Penalba. Andrea Pardini meet and listen to these leading figures of contemporary art is to enter into contact with innovative artistic languages, far removed from a vision accademjca. In 1972 he became a pupil of Jacques Lipchitz, ahora eighties, and helps in the creation of great works including 1 group of Pegasus and Bellerophon (20 m high) at Columbia University, ji ~ monument for the city of Philadelphia and that for Gallery of Modern Art in Rome. In 1973 he dipioma Ahí Bejie Academy of Arts in Florence the same year he went to Brussels where working CO ~ ji painter Joseph Henrjon Back in Pietrasanta in Italy is stabjljsce and resumes ~ foundries, Fri centni internazioflale open debate of Ahle fluove experimental ~ zjOni but also custodians of the great tradition set j ~ ~ ~ After the past Fonden Sam and Angels, by John Tesconi arrives with u she begins a sodaljzjo ~ which is not yet stopped to Tesconi Pardini reaiizza ~ ~ gigantic work of masters grandj internazionalj richjedono that its Collaboration CSSj Zadkine, De Chjnjco Botero, Leger, Poncet Raysse, Dali, Appel, Mitoraj. Working with these great works Pardini Develop A cognize ~ ~, shape, color plastic unjta pochj artjstj in Italy that P ° ssoflo boast especially because he accompanies tau u realizzazjonj With support of a search technique to obtain the yield for the condjzjonj ottjmali effects turn in the great dimensjo ~ ~ In 1977 trasferjsce to Padua to teach at the secondary school State Art A. Modigliani, where everything now a professor of plastjche ~ ~ In the city of Santo) articipation actively in the life and Culturaje artistjca of those years. Flostre collective exhibitions in vain and twice invited to ~ Biennaje Internazioflale Scuftura of Bronzes of the Little Tot el 1982 exposes alia Gajienie where ëscopreí Digo Gavjna 11i environment that introduces the Bologna COinvolgefl ~ 0 ~ 0 ~ 0 ~ megaproge in the ìParadiso terrestreî to sin0 ale works to 1987. 1 frattemp0 in 1985 by Gaston Diehi invjtato is to expose to the Panigati iSaloni \ Iaiî along with most great artists ~ contemporaflej In this research phase ji's style oscillates between Magritte and Leger and tends to provide a version of the ironic and tench expressive autonomy of form, ahora question at the center of artistic debate, however, even in a trail cohlocandosi neo-dada, Pardini not give the value of signs and colors and, eventually, his real ization still betray a sturdy plastic-pictorial education rooted nelií apprenticeship ° Grandi Tuscan painters. Simon works for Gavina Deghi eighties until the end of the year students begin working with the E90 back Bonvicini foundry in Verona. In 1993 he was commissioned by Serge Grimberg a complex plastic-pictorial memorial to his castle in the Loire fi fi Between 1993 and 1997 ~ Pardini will realize the Chateau de Chevillon Gnmberg of the great tomb of Ch with eleven characters of eight feet high, in costume (dat from 1400 to 1900), bas-reliefs, badges, angels, portraits and allegories. Ahora ji is accentuated by his interest in subjects connected with sacred themes. Participate in the symposium on III Nanto stone face santoî. In 1999 he made for the church of S. Martino Volta Brusegana the depiction in bas-relief in Terra Cotta! The episode of the gift of the coat obtained with a pictorial pottery of great beauty. In the same year for the tomb of Count Girolamo Bulgarini Elci the candles and it Christ on the Cross. In 2000 he paints on commission, representing the Madonna of the ILA to be placed under the Piazzeî ji Hall of Padua received full approval of the sketch! Mayor in person. Remarkable, also, ~ its production of portraits including that of lawyer Peter Longo, the cay. Dubb, Nicoletta Ghedini, of fratehli Pagnan, the Earl of Bulgarini Elci, Anna Fuss.