Jaime Segura (Santa Cruz de Tenerife, 1967), has been defined by the criticism that specializes in the following terms: eclectic and self-taught career in photojournalism, seduced by the design and with a certain predisposition to visual tecniscismo germnica photographic tradition, working on some personal convictions that allow the perfect combination between hedonism and heterodoxy in his work. Among his latest exhibition highlights individual looking Strategies (2002) and basic architectures (2004). Some of the members of this series last exhibition was presented at the 2003 edition of the International Biennial Fotonoviembre. From the passion of an authentic culture lone traveler requiring PASY move past the custom to communicate with new worlds-nacila passion for photography. Gradually I realized that, actually, I was interested in photography as a witness. There is a nice feeling of rebirth and revelation in places where one can witness only other lives. Kenya, Nepal, Tanzania, Cuba, England, Senegal, Mali, Ecuador, Iceland, United PerEstados, Japan, Netherlands, Russia, Norway and Sweden are some of the places portrayed from the inside of Jaime Segura. His aesthetic is based on a balance between technical knowledge and historical and emotional capacity of the image. His photography estconcebida according to one combinatorial-dependent effects of light, the relationship of colors, shapes in space and, besides, the imbricacin of these elements in framework of an intellectual nature. This framework is essential to sort and classify what already exists and is captured by his camera, to transfigure the objective existence in aesthetic existence. But over the teoray the formula, Jaime Segura photography understands that there is no sense for there not to good photography intelecto.Una is a complex meditation on the alien. The photographer is a marauder, a strategist for the eye, a poet urgency.