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Jovn Brazilian Artist, Painter, drawings and works with interventions. A apreciao Bruno Miguel Bruno Miguel das paintings transported us from imediato, asculos of Histria: da paint, das imagens, das idias. Simultaneously, Porma, we remetem elas ao Nosso tempo prprio for or how we relate com or world, Noss crenate, Noss dvid. Atravs of Escolhas suas, e seus seus Procedures questionamentos, or artist puts us face to face com...

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Jovn Brazilian Artist, Painter, drawings and works with interventions. A apreciao Bruno Miguel Bruno Miguel das paintings transported us from imediato, asculos of Histria: da paint, das imagens, das idias. Simultaneously, Porma, we remetem elas ao Nosso tempo prprio for or how we relate com or world, Noss crenate, Noss dvid. Atravs of Escolhas suas, e seus seus Procedures questionamentos, or artist puts us face to face com na nossa contemporaneidade conditions: em um onde a technology world and I will inquire comunicaoe meios of prevailing quase tornaram , onde nossa Histria relation avec, avec paisagem e com as imagens Muitas vezes trivialized, as we ter um olhar deep on something? To analyze the painting of Bruno Miguel eo da sua way concepts are considered Histria Desta prpria Linguagem. Space to construct different plastics, which extrapolam you to prpria Proceedings of fatur noo pictorial, or use of materiais that read vo das inks and acrylic, ink, automotive and handle various colagens s cheap, or apparent clash between figuraoe abstracts, or rigor da Composio ally ao ao experimentalism and perhaps, all aspects esses or renovated, the Understanding Regarding artist or assume that if esse to pass, essa Histria, identification is com seus ancestrais da paint, painter claims or posto . Contudo, tambm assume to be necessidade do seu tempo, to extend to you and investigate limits outrora aquilo found that initially afirmou uma Pergunta: hespao from landscape painting to a contemporary art na? O mais interessante think Bruno Miguel nem Chega to cogitate painting is to be seen as art prune
Atualmente, against attempts to dive s decree na sua morte RECENT Histria. To ele, e to ns, to paint vivid est, constantly on the transformed, e ainda ter muito a Dizer prune. Em em think paisagem and contemporary painting foi or ponto uma base for reflective paint as a compreenso da Linguagem, but assumes role tambm pelas imagens do na contemporaneidade. Novamente, uma Histria to das imagens, em evidncia question presents-is, from that or do time em-be artist becomes high benchmark of proper um. Imagens mais as diverse, modern ao da arquitetura landscaping, da da Histria popular culture, art, or support on convivem on neutral nem semper, em um jogo onde as meaning no possibility to act and ordered limitam ao hair or given author. Ao fonctionner with fragments diverse uma Gerando srie of tense Espaciais, Bruno Miguel did not want to join ocasionais elements apparently dspares, os seus destituindo ORIGINAIS senses. Ele tem suas conscincia that imparciais Noso approximate, but allows viewer ao, por outro hand, outros meanings conferred tais forms, enfim, to complete, a pseudo manner, a plot to unite Essas imagens, defining relaes nem semper planejadas previously. Lastly, modern architecture-year high benchmark apresentarem, construoe modificao do everyday environment, we can think like a prune idias Histria das atuar nessa paintings. O projeto construtivo, do Pensamento rational basis Vertente dessa da arquitetura, uma pressupunha built as a form of rational and social POLITICAL condicionamento. Planejados rational environments, and aesthetically arranged seriam funcionais or sociedade mais uma indcio of fair and igualitria. Was originally placed this ideal ambitiously foi depois em porch and defined as utopian, or artist to be made concrete ele na ordem do pictorial space, not two Projetos territrio, das das subtleties and possibility to. As constructors of Spain, as um quase Arquitetos second prprias suas palavras, organizing, planejando, controlling chaos and supostamente or anything, Bruno Miguel provocative paintings suas em uma will suggest great variety of dialogues possveis between apparently conflituoso aquilo. No gesture computer, objective elements to harmony. Sendo assim, ex post paintings as we think fazem-na da paint conditions, das imagens e das na ideologies contemporary art. Elas renovated, the a concept that is or no matter hoje trabalho ou painting done as video, photography intervene linguagens ou pelas quais Bruno Miguel tambm passes, or that matter, sim, contemporaneidade da queste so as to be placed atravs podem fazer do artistic. Neste sense, painting sua um exemplar case. Curator Reinaldim Ivair Currculo artistic Nome: Bruno Miguel Nascimento: 27 de Fevereiro de 1981 Nacionalidade: Brasileiro / Portugus brunoeba@hotmail.com / brunomiguel@bol.com.br formae: Made em em Mr. Ed . artistic / plastic arts na Escola de Belas Artes da Universidade Federal do Rio de Janeiro Studying to paint na Faculdade de Belas Artes Escola da UFRJ Art Course Hoje livre e com Marcio Botnner Bob N no Parque Lage. Assistant Carlos Zlio since 2006 setembro Course extensive contemporary art em da Escola de Belas Artes da UFRJ Projeto SERT 2 - com or artist Sebastien Perroud (France), no Parque das Ru nas, Santa Tereza, 2006 Exposition: Show you II / da Universidade Estcio cultural space of S, Tom Jobim campus. Rio de Janeiro / 2002 Plastic Arts Mostra da III Bienal da UNE / CONFERENCES Center. Pernambuco / 2003 Territrio Livre / da UFRJ Campus Praia Vermelha. Rio de Janeiro / 2003 Territrio Livre / Ballroom. Rio de Janeiro / 2003 XIII salo da Escola de Belas Artes. / Instituto dos Arquitetos do Brasil. Rio de Janeiro / 2003 Plastic Arts Mostra da IV Bienal da UNE. / Fundao Biennial. Ibirapuera. So Paulo / 2005 Novssimos 2005 / Ibeu art gallery. Rio de Janeiro / 2005 OR Vazio eo Conceito / individual exposure / Spain EBA 7. Rio de Janeiro / 2005 Imaginrio peripherals / Contemporary Art Gallery 90. Rio janeiro / 2005 Negao? ou Painting? / individual exposure / Spain EBA 7. Rio de Janeiro / 2006 FACE TO TOP / individual exhibition / gallery gives EAV Parque Lage. Rio de Janeiro / 2006 Faixa Seleta / cultural center Paschoal Carlos Magno. Niteri / 2006 Plastic Arts Mostra da V Bienal da UNE. / Progresso circuited. Rio de Janeiro / 2007 I Mostra Vdeo LIVE Universitrio / Escola de Belas Artes. Rio de Janeiro / 2007 PROJETO SERT 2 / Parque das Runes. Rio de Janeiro / 2007 MAC Vazio / Museum of Contemporary Art. Niteri / 2007 IMAGINRIO PERIPHERAL LONGA METRAGEM / Observatrio de Favelas. Rio de Janeiro / 2007 Projeto GERINGONA / SESC Tijuca. Rio de Janeiro / 2007 Das and on as Ruas / SESC Madureira. Rio de Janeiro / 2007 Diminuindo as Distncias / Ministri das relaes Affairs. Braslia / 2007 2007 Uma Odissi not Park / Parque Lage. Rio de Janeiro / 2007 Homenagem Contemporary Painting / individual Exposition / Vilaseca Assessoria de Arte. Rio de Janeiro / 2007 V International Biennial SIART Bolvia 2007 / National Museum Quirquincho Tambo, Folkloric Museum, Museum of Ethnography and Folklore, Spain and Simon Patino. Bolvia. La Paz / 2007 Main Exchange Award figuries and special honor given Bolvia V International Biennial of Youth Selecionada Furnas Talent Incubator Selecionada Residncia 2007/2008 International Foundation III Milnio / Karrvaz Foundation / UNESCO 2008 no Hoz del Jucar Rural Institute / Spain.

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